UNKNOWN WEEGEE--UNKNOWN WEEGEE 鲜为人知的维基 rb kindle 网盘 umd 极速 下载 pdf mobi

The viewing public’s image of Weegee is of the prototypical New York tabloid news photographer: tough, garrulous and on the scene, ready to cover two murders in one night. But the inventive Jewish immigrant Arthur Fellig (1899-1968), who assumed the self-mocking nickname Weegee, was also one of the most original and creative photographers of the twentieth century. His work for The New York Times, the Herald Tribune, World-Telegram, Daily News, Post, Journal-American and Sun, his images of the masses at Coney Island, the confrontation of wealth and poverty at opening night at the opera, and the aftermath of brutal crime scenes are, by now, classics. But beyond the iconic images that have been so widely circulated, what do we know of Weegee the photographer--his history, his methods, his meaning? Drawing on ICP's unique archive of nearly 20,000 prints by this celebrated master, Unknown Weegee presents 120 photographs that have never been made available to the public. They reveal a politically astute and witty social critic and attest to the seriousness and self-consciousness of his photographic endeavors. With essays by Luc Sante and ICP curator Cynthia Young.

Director's Foreword and Acknowledgments

City of Eyes by Luc Sante

Unknown Weegee by Cynthia Young

Weegee Gives Journalism a Shot of Creative Photography by Paul Strand

Weegee Lives for His Work and Thinks before Shooting by Ralph Steiner

Plates

Checklist of the Exhibition

Selected Bibliography

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About the Author

　　Weegee (Arthur Fellig, 1899-1968) is best known for his tabloid news photographs of urban crowds, crime scenes, and New York City nightlife of the 1930s and 1940s. He later dedicated himself to what he called "creative photography"-images made through distorting lenses and other optical effects.

书籍介绍

The viewing public’s image of Weegee is of the prototypical New York tabloid news photographer: tough, garrulous and on the scene, ready to cover two murders in one night. But the inventive Jewish immigrant Arthur Fellig (1899-1968), who assumed the self-mocking nickname Weegee, was also one of the most original and creative photographers of the twentieth century. His work for The New York Times , the Herald Tribune, World-Telegram, Daily News, Post, Journal-American and Sun, his images of the masses at Coney Island, the confrontation of wealth and poverty at opening night at the opera, and the aftermath of brutal crime scenes are, by now, classics. But beyond the iconic images that have been so widely circulated, what do we know of Weegee the photographer--his history, his methods, his meaning? Drawing on ICP's unique archive of nearly 20,000 prints by this celebrated master, Unknown Weegee presents 120 photographs that have never been made available to the public. They reveal a politically astute and witty social critic and attest to the seriousness and self-consciousness of his photographic endeavors. With essays by Luc Sante and ICP curator Cynthia Young.